What distinguishes a revolution from a criminal enterprise? Is it ideology? Popular support? Historical timing? Or simply the ability to win and write the laws afterward?

The extinction rate exceeds natural background levels by orders of magnitude. Entire ecosystems have crossed irreversible thresholds. If this is not a mass extinction, then the term may have lost its meaning.

Bowen’s inheritance of Le Fanu is most visible in her refusal to name. The emotional heart of both stories lies not in what is said but in what is withheld—the kiss never described again, the walk into light never completed.

This essay undertakes a speculative but serious reassessment of H.P. Lovecraft’s ideological architecture—not to exonerate his well-documented racism, but to explore the possibility that his fiction, consciously or otherwise, performs a ritual of self-subversion.

Lovecraft’s particular brand of horror reflects the unconscious structure of imperial modernity: a psychic architecture haunted by its breakdown.