Long before Edgar Allan Poe popularized the American Gothic with tales of catacombs and premature burials, and before H.P. Lovecraft peopled New England with unspeakable deities, the region already throbbed with spectral folklore...

In the fiction of H. P. Lovecraft, the asylum serves not merely as a physical setting or plot device, but as a threshold between the fragile construct of human sanity and the yawning abyss of the cosmic unknown.

Published in 1798, Brown’s Wieland; or, The Transformation is widely considered the first major American Gothic novel. Though separated by over two centuries, Wieland and The Witch share a haunting kinship.

With the rain unrelenting and boredom setting in, Lord Byron proposed a challenge: each guest would write a ghost story to pass the time. That invitation would lead to two of the most influential horror stories ever penned—Frankenstein by Mary Shelley and The Vampyre by John Polidori.

The monks who crafted the Book of Kells were not cultural tabulae rasae, but rather the inheritors of a complex symbolic language passed down through generations of druids, artisans, and oral poets.