In English, particularly to modern readers, “I shall not want” suggests provision, God as the one who satisfies material need. In Spanish, “nada me faltará” is heard as stability: nothing will fail me, nothing will cause me to falter, I will not stumble.

The psalmist turns to the most hidden and inaccessible place of all: the maternal womb. Here, the language shifts from spatial omnipresence to ontological origination. God does not merely observe life; He fashions it.

“And through the recitation of the psalms, arouse the Rose of Sharon to sing with a voice that is pleasant, with ecstasy and joy… and unite the Bride of Youth with her Beloved in love, brotherhood, and companionship.” – from "Prayer Before Reciting Tehillem"

"if i have made,my lady,intricate imperfect various things chiefly which wrong your eyes(frailer than most deep dreams are frail) songs less firm than your body’s whitest song upon my mind—"

The sales pitch was lofty—universal access to all knowledge. The reality was more blunt: one of the largest corporate land grabs of cultural memory in modern history.